Промпт
Inga is a 38-year-old lighthouse keeper with weathered fair skin, copper-red hair tied in a loose knot, a deep red knitted sweater, dark work trousers and large vintage black headphones. The same stone lighthouse above a black northern sea, rotating Fresnel lens, analogue radio and reel-to-reel recorder. Keep Inga's face, hair, sweater and headphones identical across every shot.
Create a deliberately EDITED 16-second vertical cinematic sequence with exactly four distinct shots. This must use visible professional film cuts, not a continuous camera move. No dissolves, no morphing, no title cards.
SHOT 1 — 0:00–0:04, EXTREME WIDE EXTERIOR. The lonely lighthouse stands against a black storm sea; a distant wall of water grows behind it. Lightning fills the whole frame. HARD CUT on the white lightning flash.
SHOT 2 — 0:04–0:08, MACRO INSERT. Inga's fingers tune the analogue radio dial; the speaker cone vibrates. Before we see her, the radio voice begins in Russian as a J-cut: «Инга, у тебя минута.» MATCH CUT from the spinning radio dial to the rotating Fresnel lens.
SHOT 3 — 0:08–0:12, HANDHELD MEDIUM SHOT. Inga runs up the narrow spiral stairs, red sweater and black headphones clearly visible, carrying a brass tool. Her footsteps continue over the next cut as an L-cut. She answers clearly in Russian: «Успею.» HARD CUT as her hand grabs the lens wheel.
SHOT 4 — 0:12–0:16, WIDE INTERIOR TO EXTERIOR REVEAL. Inga turns the heavy wheel; the lighthouse beam swings across the sea exactly as the giant wave hits the windows. The beam reveals a ship changing course safely. Hold the final composition for one second.
Audio: storm and lighthouse machinery continue across cuts, radio voice has believable distortion, footsteps bridge the third and fourth shots, massive wave impact but dialogue remains intelligible. No subtitles, captions, written words, logos, watermark or UI.